Via Thames Clipper to Tea Clipper

The Master’s Charitable Event 8 July 2022 at Cutty Sark

The sun was not quite over the yardarm on a glorious summer evening at Westminster Pier as our Thames Clipper slipped its moorings and headed downstream towards Greenwich where our Master, Nigel Macdonald, had invited us to a formal Dinner under Cutty Sark to raise funds for the Helen Arkell Dyslexia Charity.

After disembarking at Greenwich, we went on board Cutty Sark. Magnificent to behold with her raked back masts, she is one of only three remaining 19th century clippers of “composite” construction (ie a wooden hull on an iron frame). These were the fastest sailing ships of that century thanks partly to their narrow hulls which, being concave, slipped through the water easily.

Cutty Sark originally carried tea from Shanghai to London via the Cape of Good Hope but, in response to economic and technological changes, she then enjoyed a pretty varied range of deployments. Paddy Rogers, Director of Royal Museums Greenwich, recounted her history and what made her so special in a most absorbing presentation during dinner. Now in a prominent dry dock position by the Thames, Cutty Sark is listed as part of the National Historic Fleet (the nautical equivalent of a Grade 1 Listed Building).

During a tour of the upper and the main decks, we viewed many interesting artefacts and displays before descending to the lower deck to enjoy a very welcome and glamorous drinks reception and to peruse some of the attractive and varied lots which we were able to bid for in the silent auction.

We were then called to our tables for dinner directly under the stunningly beautiful copper-bottomed hull of Cutty Sark. What a wonderful and imaginative venue! The food we enjoyed over dinner was first class and, in another thought-provoking touch by the Master, was prepared and served, together with delicious wines, by young staff of The Clink Restaurant at HMP Brixton (

During dinner, Andy Cook CEO of Helen Arkell talked to us compellingly about how the charity has been able to improve the life prospects of an increasing number of children, young people and adults by helping them to develop coping strategies for their dyslexia. Together with a powerful short film, it was clear to us that this, the Feltmakers’ Company’s chosen charity, was very worthwhile and one where our support could make a radical difference. Our written bids for the lots in the silent auction were then collected; at the last count just over £13,000 had been raised for Helen Arkell.

Towards the end of the evening, we were once again treated to something rather special, this time a taste of 1811 Grande Armée Napoleon Fine Champagne Cognac. It did not disappoint!

A selection of memories of the evening:

“To travel to Greenwich on a modern day clipper and then to dine under a copper bottomed clipper from days gone by plus wonderful food and Feltmakers friendship made for a very special evening.”

“We all shared an enthusiasm for purpose of the evening. There was a real sense of companionship, friendship, renewal of friendships and common purpose all with a sunny disposition as the late evening sun set West across the City. If the spirit of 1811 was let out of the bottle that evening then the spirit of 8th July 2022 should be bottled to be reopened again and again when the Livery meets.”

“We were extremely fortunate to have the opportunity to dine underneath the hull of Cutty Sark, the national treasure which dominates the Greenwich waterfront. The evening passed very quickly and all too soon we were getting ready to leave, reflecting over the success of the evening and richer in our knowledge of both the remarkable venue and our chosen charity.”

All in all, the Master’s Charitable Event 2022 was a very special evening, on a very special ship, for a very special charity. We were promised “an evening to remember” and that is what we got, and in spades. The planning, the care and attention to detail were simply amazing. So, many congratulations to the Master and his team including the Clerk, Major General Aidan Smyth and, on their behalf, many thanks to all.

Edward Hutton

Past Master 2014-15.

Feltmakers Design Award 2022

The Judging of this years’ Design Award took place on April 11th at Haberdasher’s Hall. Whilst the competition had taken place during the pandemic, it was the first time in two years that the judging panel had been able to all meet in person and judge physical hats – it was so good to be back!

The final selection comprised 20 hats, selected by the panel from drawings and sketches of 36 entries. The judges had viewed digital images of both the finished hat and accompanying artwork. Since adopting this method during the pandemic, it was agreed that it made sense to continue as it gives the judges a much better insight into the workings of each entry.

The spread of entries between colleges, apprenticeships, start-up businesses and European makers has grown wider over the years, as large companies have closed and millinery/craftwork has become more sought after as an individual skill. In 2004, European colleges were invited to submit designs from their final year’s millinery students to enable them to experience the freedom of design we encourage in this competition. By 2016, the competition was extended further to  support former students/apprentice milliners with businesses which had started within the past two years and this has worked extremely well.

Entries were received from Morley College, Nottingham Trent, Northampton, Northern School of Art, University of Lincoln, Kelvin College Glasgow and The Fashion Institute of Vienna and JBH Millinery School. We also had several entries from new start-up businesses and an apprentice.

This year’s selection was one of the most exciting: the themes and techniques were far-ranging and the standard of work extremely high, with some quite extraordinary yet wearable headwear on display.

The Lady Mayoress, Mrs Amanda Keaveny, attended and was overjoyed to try on many of the hats, taking a particular lean toward the colour green to endorse her Irish heritage.

We were delighted to welcome George Lomax, millinery buyer at Fenwick of Bond Street, who had no hesitation in the selection and made a particular stand for the Commercial Appeal award. The other members of the judging panel were: Milliners Rachel Trevor-Morgan, Edwina Ibbotson, Noel Stewart and journalist Carole Denford.

The Master, Mr Nigel Macdonald attended with his wife Maggie and gave their full support.

First – Alison Cooper, Millinery Malarkey. A beautiful emerald scarab beetle the inspiration for which was taken from the 1920s when Egyptomania was influencing fashion due to the many archaeological discoveries of the time. Beetle wings were widely used in fashion embroidery, the colour was inspired by that fact and by the Tutankhamen tomb discoveries of the time. We all loved her hat –exquisitely made and beautifully balanced.

Second –  Eleonora Tata, Eleonora Millinery. Inspired by Dante’s Inferno. Strips of felt intertwining with each other represent the souls of the lustful trapped in an eternal whirlpool. The dark colour palette of the design aims to reflect the depths of hell. A huge amount of thought and work can be seen in this hat.


Third – Nicola Miller, Kelvin College, Glasgow. Inspired by Marie Antoinette and The Palace of Versailles, this was pretty and detailed. Marie Antoinette always surrounded herself with flowers and floral themes- wallpaper, furniture and fabrics and, of course, the beautiful gardens. A beautiful colour mix was used for this hat and each flower and petal was worked in felt.

Craftsmanship – Lauren Thompson, Lauren Thompson Millinery. This Garden of Eden hat showed excellent craftsmanship and skill, cleverly blocking a snake relief into the brim and adding beautiful embroidery. There was a tremendous attention to detail and beautifully executed.


Commercial appeal – Aliyah Dankwah, Northampton College. This hat was constructed using laser cut shapes intertwining around the head. Taking inspiration from fans and the way they were used as a secret form of communication in Victorian times.


Art & presentation – Ilektra Maria Charalampopoulou, Nottingham Trent University.  Her Artwork included beautiful hand drawings and images.


Innovative use of felt – Jasmine Gibson, Northampton College. This hat was constructed with laser cut felt which was then painstakingly wired and stitched. This was inspired by the bone structure of the spine. Once the felt was prepared, it was attached to the felt pillbox and bent into shape.

Sechseläuten 2022- through the eyes of a British girl. by Estelle Wilkinson

How to digest the Sechseläuten weekend I feel as though my feet have only just touched the ground. From walking through the streets of Zurich wearing a cloak and top hat in front of a marching band at 1:00 o’clock in the morning to climbing up the bell tower of the largest clock face in Europe and drinking white wine all before 10:00 AM, how does one even begin to comprehend a wild weekend celebrating Sechseläuten and the burning of the Boogg. I’m grateful to live in this age of documentation as I feel without proof of the above statements; nobody would believe the weekend we have encountered. I can wholeheartedly confirm that the Swiss know how to party. How lucky I feel to have been not only invited, but to be so involved in the events of the weekend. We were welcomed so warmly by everyone, not once did we encounter a complaint or even frown, the positive energy was ripe throughout the celebrations.

The weekend celebrations began on the Saturday when myself, my father Simon Wilkinson and Nigel and Maggie Macdonald flew in from London and were picked up at the airport by Renato Compostella and Rene Kalt, as they drove us to our hotel, we even received a free tour! It seemed every building we passed, had a wonderful and rich history. Rene very kindly organised a traditional Swiss dress for me known as ‘Traacht,’ which I would be required to wear for the young liverymen’s ball known as the Jungzünfterball, and during the parade on the Monday. The evening commenced with aperitive drinks outside the fishmonger’s hall. A band played while wine flowed, and young liverymen and guests arrived dressed in a splendour of 18th century costumes from their Guild houses. A great photo opportunity to be had. Then the crowds dispersed to their selected guild houses where they would be dining that evening. After enjoying a delicious three course meal and copious amounts of wine, I was then informed that a disco would be held on the floor below, which I found quite hard to believe given the age of the building and the restrictive costumes many young liverymen were wearing, however I was, as I continued to be for the rest of the weekend, impressed by the enthusiasm of the Swiss conquering all interferences. The dance floor and bar were filled with chatting young liveryman and guests, roars of laughter could be heard all around the guild house and just as I started to settle in and get my dancing shoes on; I was informed that we were heading to another Guild house to continue the evenings frivolities. It was at this point when I asked, ‘Are we doing a guild house crawl, much like that of a pub crawl in England?’ to which I was met with an enthusiastic ‘Yes!’. We ended up going to two other Guild houses before I had to throw in the towel and save myself for the rest of the weekend, as I returned to my hotel at 4:00 AM I realised I’d been awake for 24 hours.

On Sunday rain fell on what I presumed to be a hungover Zurich, yet again I was surprised to find that everyone was up early and ready for the children’s parade. Feeling rather fragile after drinking my weight in wine and dancing till the early hours of the morning, I went to meet my father and the rest of the British guests at the Waag, accompanied by Rene and Renato, but was caught out by the parade. After spending what felt like an eternity parallel to the unbreakable meander of the parade; I decided there’s no way I would be able to cross, and get where I need to go, so decided to give in and phone my father to alert him of my lateness and ask for directions, when he asked what I was near; I looked over my right shoulder to see two live camels being pulled through the parade and uttered ‘you wouldn’t believe me if I told you’. The parade was filled with smiling children waving at the crowds, all dressed in a rainbow of costumes from all over the world. Once met with the other British guests, I enjoyed a well earnt bratwurst sausage. We proceeded to a beautifully decorated bar, while beers were passed round, I clung very firmly to my cup of tea, best to avoid alcohol for at least today I thought. The atmosphere was filled with hearty conversation amongst the Swiss and British. Comparisons of previous Sechseläuten’s were discussed by seasoned goers, such as David Bentata and Linda Smith, who were very familiar with the weekend’s events and the complex history of the city. It was wonderful to indulge in conversation with the newlyweds, there wasn’t a question about the guilds they couldn’t answer. As the rest of the guests enjoyed a hearty dinner, I headed back to the hotel for an early night.

Monday morning broke with a nutty muesli and strong coffee. Whilst digesting; we walked into the city centre where we were met with an impressively energetic Rene, as we were catching up on the prior evening’s antics, he informed me that he had only four hours sleep, yet another resilient Swiss attitude, but just the first that we would encounter that day. After climbing the 187 steps up the St Peter clock tower, we were met with panoramic views of the city. It is easy to imagine hundreds of years ago how vital this viewpoint would have been for alerting the city of fires and other disasters. As we made our way down, we were greeted by the band who we would encounter several times during the day, we then walked back to the Waag where all the young liverymen were enjoying their first (or third) wine of the day. Here I was introduced to guild master Philip, who I would later carry flowers for during the parade. It was a great honour to be invited and to be first female guest amongst the young liverymen or known as the ‘Ehrendame’ in Swiss German. Dominik and Robert Kalt, sons of Rene, had asked me to film their speech at the Butcher’s guild house and although all in a language I couldn’t understand, what was translatable was the laughter and enthusiasm from the audience. In response, the butcher guild master gave a short speech back to the boys and rewarded us all with Veal sausages printed with the guilds emblem and wrapped in gold, a carnivorous trophy! Lunch was well needed at this point, as the food arrived wine and conversation flowed amongst the members, not a single person in the room spoke less than 2 languages, I was amazed at how articulate and well informed they were of the English language, that of which could rival native English speakers. With lunch ended and espresso’s drunk- it was parade time!

Handed with a large empty basket and introduced to the other flower girls, we set off to join the parade, at this point there had been several delays which unfortunately meant that we would miss the lighting of the Boogg. Flowing through the streets of Zurich we were greeted with cheers, photos, smiles, waves and most importantly flowers! The guild master received a huge number! Happy to just be a part of the celebration, I was even included, as one of the lovely young ladies I danced with on Saturday emerged from the crowds to give me my own rose. The smell of bonfire grew stronger, and the crowds thickened as we reached the Boogg. Laughter and chatter all surrounded the fire while livery men galloped on horseback around the flames. The anticipation was palpable in the air as to when the head of the snowman would explode; tradition states, the longer the head of the Boogg takes to explode; the worse the summer will be. Finally, the head exploded; the crowd cheered, the horses unphased and the tummy’s rumbled- Time for dinner! We made our way back to the Waag for another meal. Once digested it was time to light the lanterns, put on the top hats and cloak up- off to listen to the speeches. We were very kindly provided with ear sets and a translator so we could understand what was being said. The first speech was held just across the river in the guild house, the next downstream where Rene, Domink and Robert performed a well-rehearsed comical speech.

Later it was time to take the bus; that’s right, we all piled onto a bus, cloaks and all, and were whisked away into the night to the next guild house for another speech. Once finished we travelled back to the Waag for a final snack. This is when the young livery men’s night would begin, plans of dancing and drinking lay ahead, but alas, I was simply too tired to participate. In the taxi ride on the way back to the hotel I made a promise to myself that as a representative of Britain; it shall be my duty to compete with the Swiss’s partying at the next Sechseläuten. So to all young liverymen of Zurich I make a pledge to you now; next year I will come back stronger and with more British troops to give you all a run for your Swiss Francs!

After a couple of hours sleep we were rudely awakened by the alarm, an unwelcomed signal to head back to reality. We left with a feeling of sadness that the weekend was over, but this was short lived as the excitement for Sechseläuten 2023 began! What a wonderful weekend, the traditions surrounding the celebrations were fascinating, the costumes fabulous and the company outstanding. Thank you all for hosting and we will be seeing you all very soon!

A note to any British liverymen planning on attending the Sechseläuten celebrations in the future: Wear comfortable shoes, as you will be doing a lot of walking. Try and get lots of rest in between the days as they are jam packed. The food was delicious the whole weekend and we were fed like kings, so there is no need to bring any food or snacks with you. We were met with quite a lot of rain over the weekend so bringing an anorak would be sensible, lastly, I would suggest bringing a good camera with you, as there are plenty of photo opportunities!


Spring Dinner 2022

The return of milder temperatures, longer days and the arrival of blossom on the trees marked the Feltmakers Spring Dinner at Vintners Hall.

Liveryman and their guests, including many of our younger freemen, filled the Hall with excited conversation and laughter; a joyous return to normality after the seemingly endless restrictions caused by Covid.  As Assistant Peter Winfield noted in his address to the guests, ‘Zoom doesn’t cut it for dinners’.

It was a special delight to welcome Jollyon Coombs’ widow, Ruth, among us as a Freeman and we were also to congratulate our current clerk, Aidan Smyth, on his promotion to Major General.

The Masters’ principal guest and after dinner speaker was Sir Brian Leveson, QC.  Sir Brian was one of the most senior criminal judges in England and Wales. Best known for chairing the inquiry into the culture, practices and ethics of the press, Sir Brian retired from his judicial role as President of the Queen’s Bench Division and Head of Criminal Justice in England & Wales in 2019.

In a heartfelt speech, Sir Brian reflected on his 53 years as a criminal lawyer and the current state of the criminal justice system.  With already poor conditions exacerbated by Covid restrictions, he presented a bleak portrait with the four key pillars – police, probation, prisons and lawyers – not being given the importance and recognition they should in a democratic society.  He strongly encouraged us as a livery to look to support the charities which seek to break the cycle of reoffending.  As the Master noted in his response, Sir Brian is learned in both the law and humanity.  It was indeed a privilege to hear him speak.

The Master closed the evening by reminding us of the importance of neighbours and community and the centrality of relationships to the livery movements.  Given the troubled world we now live in, he asked for us to remember the people of Ukraine in our thoughts prayers and through our giving.

On a brighter note, looking forward he encouraged Liverymen to attend the Banquet at Mansion House in June and his own charity event on the Cutty Sark in July.

Zoom might have enabled us to keep in touch in the past few years but nothing beats a delicious meal in one of the city’s oldest livery Halls accompanied by our fellow Feltmakers.

Emma Whitaker

A Warm Welcome at the Oriental for the Livery Society Dinner

On the evening of Monday 31st January, we met at the Oriental Club, almost two years since my last Feltmaker event; and for many a similar experience. Over convivial pre-dinner drinks, there was much laughter and catching up between friends and a real sense of finally returning to some sense of normality….

Assistant, Simon Wood, had organised a wonderful dinner of spiced cauliflower soup, Beef Bourguignon, treacle tart and, so I’m told, some fine wines (we met on the final day of dry January for me). Such was the large uptake of the evening, we were tightly squeezed onto a table in our own private dining room, which is the Club’s impressive Library.

The Master started his speech with a rather witty joke about Donald Trump, thus proving that those will not get old any time soon; as well as a brief history of the livery companies and anecdotes on trains and a recent former Shadow Chancellor.

As always, the smaller and more intimate gathering of Feltmakers allowed for meeting of newer members of the Livery, and for some, the first in-person meeting of our new Clerk. Carriages and push bikes were delayed long after dinner as conversation carried on into the atrium: so much to say after so long.

Adrian Gubby


Back in the early days of the Pandemic when, like World War 1, we thought it would all be over by Christmas, and when the weather was exceptionally kind to us, I was walking my dog on the hills around my house. From one spot in particular I have an excellent view down across the Thames Valley and Marlow.

I was thinking about how adversely affected many charities had been, and how much pressure they were under, and what, if anything, I could do; especially as, Master Elect of the Chartered Accountants Livery at the time.

I wondered if anyone had rowed the entire length of the Thames. Of course, as I thought about it, no could have done, as one cannot row on the Thames for quite a lot of the upper reaches.

So, not really a ‘light-bulb’ moment but more an idiotic brain dump. “Why don’t I do just that. Run and row from the Source to the City. What a wheeze. It should raise enough eyebrows as well as money for the charities. And thus, one might say, from little acorns…. But more accurately, from a great nut, an even greater process was born.

As I mentioned my wild idea to a few folk, it really started a snowball rolling down a huge mountain. It’s true, one cannot row from the source before a town called Lechlade. The first 13 odd miles are basic fields with, at best, the Thames, initially a few puddles, then a trickle, a brook and almost a stream. But from Cricklade, some 11 or so miles before Lechlade, one should be able to paddle a canoe or kayak. So, my big plan was run to Cricklade, paddle to Lechlade then row to the Tower.

Simple, yes? No!

There are locks in the way. There is the stretch post Richmond which is tidal. One needs permission from the Upper Thames Harbour Master, the Lower Thames Harbour Master, the Environment Agency and the PLA, to name a few. Plus, I do not own a kayak, nor do I own a scull. Moreover, I did not know how to row a scull.

But the snowball was still hurtling down the mountain, getting bigger all the time.

Fortunately, via a very good friend, I was aware that the Para Rowing Squad, based at Marlow Rowing Club, had to raise funds to make access to the boats and, more importantly, to the water for the squad members. I wanted to raise money for their charity as well as another four which I am close to. This was not only gratefully received but the Para squad coaches volunteered to coach me and to teach me to row. Additionally, as one of their number, Naomi Riches, who won a Bronze in Beijing and Gold in London 2012, had undertaken a non-stop row from Lechlade to Gravesend, she and her Coach, David Jackson, had some great data for me and my team to use.

Planning started.  Some key information I got from Naomi and David’s data was the need for a small committee to look after the key areas of the event. These were a Chair of the Committee to act as the Event Director during the event, a Stream, Tide and Passage Planning director, training and support team, athletic welfare and a PR, media and fundraising team. Not a lot to ask.

Well, when I put out a cri de coeur for assisatnce, my kids came running. So Sam, a Feltmaker, filled the Chair and the PR/media slots were taken by my son and youngest daughter. Then my PT said he’d look after welfare and physical training, whilst David & Naomi took on rowing training. (By the way, did I explain that I had, in effect, never rowed before?).

This left several other slots, but one specialist one – the Stream, Tide and Passage planning.

Enter a Past Master Chartered Accountant. She ‘volunteered’ her son, who it transpires, is not only the cox of Gloriana and runs the family river boat business in Henley, but is also a trained logistics specialist.

We were set, so off we started. For me this meant training six days a week; three on the water and three in the gym. Which, even now, is only just paying dividends.

So we contacted the PLA and the Environment Agency (EA) who both responded in kindly, if bemused terms.

We planned. Run from the stone marking the Source to Cricklade and then enter the scull.

But wait! The EA had not cleared trees from the winter of 2019. But we could paddle in a canoe or kayak. Let’s go for the kayak. And let’s plan for June 10th start when the Lord Mayor is free to meet me at the Tower.

But wait! The Lord Mayor is now going to the Olympics so will not be back until the 12th. Next relevant tide sorted; we reschedule to start on the 14th. But wait!  Covid is lasting much longer and we will not come out of second lockdown until June 21st.   So, whilst I could row, no volunteers could assist fully. OK, we rearrange for August 22nd to August 25th.  But wait!  My “Master’s weekend, which was originally due in May in Gleneagles, was moved to August in the New Forest as the only dates available post June 21st. and the Sunday of this weekend is the 22nd. No problem. Plan for an overnight flit from the weekend hotel to the start of the Source, (with someone else driving). Done!

Surely nothing else will occur to need further changes, Whew! But wait!

The EA failed to shift the trees from winter 2019/20 and they had also done nothing about several more which have fallen since. In short, even the kayak cannot get through.

I do not think running over 25 miles on the morning of day one of this testing event, then rowing at least another 24 is a good idea, let alone even possible for me. So, change gear. I will cycle between Cricklade & Lechlade if possible.  I proved it is possible, if very, very bumpy. Not a route for one to sit in one’s saddle.

Which makes me wonder, if an Iron Man race involves a 26+ mile run, a 112+ mile bike ride and a 2.4-mile swim (if not in that order) and on day one of my event I am due to attempt a half marathon run, then a 11+ mile ride and a 24-mile row, would this constitute a “Rusty Old Half Iron Man”? I ask because I feel sure that at the end of it, there will be a very rusty old half man.

If you feel pity for me, or for the five charities I am trying to support, you can find more details on


Jollyon Coombs, who has died aged 75, was Clerk to the Worshipful Company of Feltmakers for the last 20 years and had only sworn in his successor on April 28th 2021, 10 days before his untimely death, his final duty to the Feltmakers completed.

With his military bearing and larger than life personality, Jollyon was a true presence in the Livery world, winning the respect and affection not only of his own Livery but that of his fellow Clerks, as well as staff at the Mansion House, who got to know him well through the many dinners and Hat Presentations he organised.

Jollyon Trevor Hardy Coombs was born on the 25th of January 1946 and attended Hawtreys Prep School before going on to Pangbourne College. On leaving school he was uncertain of the direction he wanted to take but his artistic ability drew him to a course in photography at Bournemouth School of Art in 1965. However, a year later, he was passing an Army Recruiting office, went in, and signed up for the Welsh Guards and went to Mons Officer Cadet School. By 1976 he had risen to the rank of Major having completed a number of tours of duty in Germany, Northern Ireland, Dubai and Cyprus. A chance meeting with the Commanding Officer of the 16th/5th Lancers, Nick Vivian, was ultimately to lure him away from the Welsh Guards to a “racier” stretch with the Lancers from 1979-1986. Having been assessed for flying at Biggin Hill, he trained to fly helicopters (Gazelles) and thoroughly enjoyed his time with the Lancers.

However, in 1986, he left the Army and embarked on the second phase of his career, in the property world. Having completed a re-settlement course at London Polytechnic, David McLean-Watt, a partner at Cluttons, invited him to join the firm, which he did, before being head-hunted by Chesterfields run by Brian d’Arcy Clark & David Forbes in 1989, and then Jackson-Stops & Staffs in 1990. By 1992, Jackson-Stops was in difficulty and Jollyon participated in a management buy-out, and took charge of the offices in Chelsea and Fulham. Unfortunately, in 1994 he was extremely ill with pneumonia and decided to sell out his share and take up a less stressful role, in a property search business.

It was in 1999, that Jollyon first heard about the possibility of a job as Clerk to the Feltmakers which was to become the final phase of his career. An old Army chum, Colonel Michael Barneby, was Clerk to the Salters, and knew that the Feltmakers would be looking for a new Clerk to take over from Colonel John Holroyd. After a lengthy interview process, in which Jollyon was the only candidate, he joined the Feltmakers as an “understudy” to John Holroyd in July 2001, taking over in October on the understanding that if the Company didn’t like him, they could sack him after 6 months! Of course, they did like him and the rest is history!

Bill Horsman was his first Master and was very kind and considerate to his new and extremely green Clerk and Jollyon found that, having served in the Army, he soon “fell in” with the City and its traditions.

Court members who were present at his first Court meeting will remember Jollyon’s impressive memory for all the names of both Court members and their partners. His skills did not stop there: he was meticulous in his planning for banquets, revealing a perceptive grasp of the most companionable seating partners and unflappable in the face of “no-shows” or, even more challenging, extra guests to fit in! Nor was he phased by the sight of lady guests in backless dresses, although he drew the line at one Liveryman who arrived in a lounge suit for a banquet! But, as Past Master Burgess noted in his tribute to Jollyon, there was a percipient, pastoral side to his nature which revealed itself particularly during the lockdown when he acted almost as an Almoner to those who were bereaved or ailing, and this at a time when his own health was failing.

Jollyon spent his final months compiling his memoirs, chiefly intended for his family, but with Ruthie’s permission, here are his own comments on his time as Clerk.

“My time as Clerk has been blessed, largely because I have enjoyed the whole atmosphere of the Livery, it really is a friendly Company and I like to think that all of you are my friends. As Clerk to the Company and Clerk to the Trustees of the Charity, I have been involved in three Lord Mayors Shows, one quatercentenary celebration at the Middle Temple, looked after twenty Masters, organised dinners and lunches for over 10,000 people, attended over 200 meetings, raised £113,000 for Charity, which included rowing down the Thames, rowing across Scotland, walking from Mount Nero to Petra in Jordan, walking across Iceland, walking from Cadiz to Gibraltar and finally rowing an Olympic course (2000 meters) for every year of my age at the age of 72: all this was largely done to try to encourage other Liverymen to partake in some form of fundraising for the Livery.”

In addition to encouraging fund-raising, it was also Jollyon’s earnest wish that the Livery should focus on encouraging younger people to join and his final initiative was to launch Freedom by Patrimony, open to young relations of all existing members of the Livery.

Jollyon married Sarah Dawnay in 1970 and they had 3 children, Arabella, Daisy and Charlie but later got divorced. In 1990 he met a certain Ruth Owen-Thomas and they married 4 months later on his birthday! Ruthie, as we all know her, has a warm relationship with Jollyon’s children and all the grandchildren too – Rosie, Tilly, Edward, Lily and Kitty. They are supporting her as she faces up to life without Jollyon: at the moment she says it feels almost as though he has just gone on one of the shooting or fishing trips that he so loved. She should take comfort from the knowledge that, not only are the family there to support her, so too are the extended family and friends she can count on in the Feltmakers Livery.

Feltmakers’ Design Competition 2020

The annual Worshipful Company of Feltmakers’ Design competition is now in its 26th year. Started by Liveryman William Horsman, it is now one of the main competitions in the millinery calendar. The competition was set up for the industry, aimed at Millinery students, apprentices and milliners who are within 2 years of starting their own label. It is very much hoped that prize winners will go on to work within the trade and make it their career. We encourage colleges taking part to include The Design Award in their syllabus where possible, serving as a challenge and focus for the students.

Sarah Cant, Course Director at Morley College Chelsea, acknowledges that The Feltmakers Design Competition is a highlight for the students, “It is hard to overemphasise its importance to millinery students – as a motivation to create ambitious work, as a recognition of their achievements, and as a support as they progress their work on the course and beyond”. On the HNC, they have created a project specifically focused on innovation with felt in order for students to create the best possible entries to the competition.  “Students who win prizes in the competition experience such a huge boost of confidence at a key moment in the course, just when they are working on their final collection projects. The financial side of the awards is also hugely beneficial to the HNC students, who are at the end of a very intense academic year, working on their most important work yet, and most often, with reduced resources. Finally, the industry opportunities connected to the first prize are indispensable to any student setting out on a career on millinery”

As well as the financial prize, the winner is also given 2 weeks work experience in Rachel Trevor Morgan’s workroom and 2 weeks experience at Walter Wright Hats in Luton. Two very valuable opportunities. The importance of gaining experience in established businesses is vital to understanding the industry as a whole.

The Design competition judging was due to take place on April 1st at Haberdashers, but with Covid19 and lockdown we were unfortunately forced to cancel. Thanks to Liveryman John Horn, all the entries had been sent through to Barford Brothers (Dye works) in Luton until the judging, so that is where they sat while we all waited for lockdown to lift. At first it was hoped that it was only the judging in London that was being postponed but it soon became clear that the normal gathering was not going to be allowed any time soon. It was therefore decided that as soon as it seemed reasonable, the judging would be taken to the hats in Luton.

On July 16th a very reduced judging panel of Rachel Trevor Morgan, Noel Stewart and Bill Horsman met to look at the hats and go through all the entries.

The competition rules state that the hat or headpiece designs must contain a large proportion of felt; other than that, students have a fairly free hand, however the hats do need to work as an item of headwear. They don’t have to be commercial (there is a separate prize for that) but they do need to be able to be reproduced in a workroom, they do need to fit the head or be on a structure that stays on the head comfortably. However beautiful or innovative a design is, it will not win if it isn’t able to be worn.

There are three main prizes which are awarded to designs that fit the overall categories and stand out for whatever reason. There are then four additional prizes that are awarded for specific criteria;

The Commercial Prize really speaks for itself, this is awarded for a design that is easily worn, easily reproduced and easily sold.

Then here is a prize for Artwork and Presentation, artwork is a vital part of a submission which gives the student an opportunity to explain the inspiration behind their design and also to explain to the judging panel the processes that have gone into the final piece. This particular criterion is often overlooked by entrants but is a further opportunity to show off creativity and serves to back up a design.

For the Craftsmanship Prize, we focus on the quality of the finish and of the millinery involved.

For the Innovative Use of Felt prize, judges are looking for something new and original. But as ever, it is not just about an interesting take on felt, the submission must work as a hat/headpiece in its own right.

Overall we are seeking originality, craftsmanship, a degree of commerciality, wit, and something we have not seen before. We often see students looking at past years and reimagining former winning designs – actually, we want to be surprised!

This year we had a particularly good uptake in entries with over 40 hats being submitted from the UK and Europe.

The prizes were awarded as follows:

First Prize: (£1,500) awarded to Nora de la Quintana

KCC/ Morley College ‘from words to Ashes’ was a witty and well balance headpiece representing declining reading patterns and illustrating the fact that physical books are slowly disappearing.


Second Prize: (£1,000) awarded to Anna Kittson (Stefanou)

KCC/Morley College ‘Disturbing the Grid’ was inspired by grid structures in architecture and Lucio Fontana’s monochrome ‘Slash’ paintings. The result was a beautiful black and white head piece full of movement.



Third Prize: (£750) awarded to Leah Hislop

Northampton College. Working through different inspirations, close up images of coral and studies of leaf structure, Leah experimented with laser cutting techniques to create a beautiful and vibrant headpiece.

Special Category Awards:

The Craftsmanship Award of £250 Sarah Blackmore KCC/Morley College

(HNC Millinery)

Hyperfelt’ was inspired by the graphic painting ‘Hypermass’ by artist James Roper. ‘An explosive demonstration of the diverse properties of felt’ it was a collage of curves and contrast. This piece was beautifully crafted and fun.

The Commercial Appeal Award of £250 Tina Williams Hereford and Ludlow College.

Tina was inspired by the 75th anniversary of VE day. Her headpiece was a modern interpretation of a turban style worn by women who had been drafted. Tina’s headpiece was perfectly on trend. A wide felt headband with a cluster of handmade felt poppies inspired by the remembrance poppy. Beautifully made and easy to wear.

The Innovative Use of Felt Award of £250 Stefania Belfiore Italy

Taking inspiration from The Colosseum, Stefania’s hat was perfectly executed.

 The Artwork and Presentation Award of £250 Florence Baverstock, Northampton College.

Florence Baverstock’s beautiful drawings, artwork and inspiration boards were outstanding. Once again, Northampton College lead the way with Artwork.

We were very sorry not to be able to share our event with the Lady Mayoress and Sheriffs consorts as is usual, especially as this years’ Lord Mayor, William Russell is a liveryman in the Feltmakers Company.  We were also very sorry not to have the opportunity of showing all the winning designs at the Annual Mansion House Banquet.

I very much hope that colleges and new start up businesses can navigate their way through these very challenging times.


Rachel Trevor Morgan


– at home

Past Master Eda Rose-Lawson, took part in the glamour of this year’s “stay at home Ascot” by contributing images of her striking hats in the ‘Styled with Thanks’ competition run by Royal Ascot and The Daily Mail.

The aim of the competition was to boost the fund-raising for The National Emergencies Trust Relief Fund, NHS Charities Together, The Care Workers’ Charity and the Berkshire Community Foundation Coronavirus Fund.

Each one of Eda’s eye-catching creations featured in the Mail Online, and the Eda Rose cream hat, with its dramatic bow, was the winning entry in the ‘Originality’ category.

The competition was judged by milliner Stephen Jones OBE, Chair of the new British Hat Guild; Lisa Armstrong, Style and Fashion Editor of the Daily Telegraph and Caroline Rush, CEO of the British Fashion Council.